About
A Quarterly Review of Speculative and Literary Writing

The name
The name is borrowed from T. S. Eliot: ‘at the still point of the turning world’, the place in Burnt Norton where movement and stillness cease to be opposites.
Neither The Still Point Review nor Still Point Press is affiliated with, associated with, authorised by, endorsed by or officially connected to any other publications, journals, institutions or entities operating under the name 'The Still Point' or any variations of it.
All trademarks, service marks and trade names referenced on this website or in our publications are the property of their respective owners, and their use does not imply any affiliation with or endorsement by them.
How we read
Every manuscript is read blind by our editorial team. While our acceptance rate is around 3%, this reflects our commitment to giving each accepted piece the focus, care, and editorial space it deserves. We actively encourage both emerging and established voices to submit.
For each issue, we also take time to highlight specific pieces and contributors with dedicated editorial features, ensuring the work reaches as broad an audience as possible.
The particulars are on the submissions page; the prize keeps its own page as well.
Masthead
- Editor-in-Chief
- Beatrix Aldous
- Managing Editor
- Dara Whitfield
- Poetry Editor
- Leah Stern
- Essays & Criticism
- Owen Carr
- Design
- Vera Lindqvist
- Publisher
- The Still Point Press, London
The press
The Still Point Review is published by The Still Point Press (London) in print and digital editions. Our print editions are produced and distributed globally across the EU, US, and Australia. We operate completely free of advertising, sustained independently by our readers, subscribers and community.
For general enquiries, pitches, and correspondence, please visit our contact page.